Christoph Wenzel: Comprehend to understand? Case studies about the applicability of interactice Fluxus objects of the collection Maria and Walter Schnepel in the museum Weserburg for exhibitions Zurück
Sprache: Original   -   Übersetzung
Zusammenfassung: As a conceptual method in art making the viewer participation has become popular among artists since the second half of the 20th century. This resulted in objects which were meant to be experienced by the recipients through actions, letting them partake in the artistic process. Beginning with a short overview of the development of the museum, the thesis tries to capture the conflicts that arise when those institutions want to present works, which actually have to happen. A modified decision-making model shall aid the systematic quest for adequate ways of exhibiting such works, considering their values and meaning as well as their current context. Three participative works from artists of the Fluxus circle Ay-O, Yoko Ono and Takako Saito – all of them are belonging to the collection Schnepel of the Neues Museum Weserburg – serve as case studies to work out a proposal for their presentation, taking their values and context into account.


weitere Angaben:
  • Hochschule:  TH Köln
  • Art der Arbeit:  Masterarbeit
  • Erstprüfer:  Prof. Dr. phil. Friederike Waentig
  • Zweitprüfer:  Dr. Antonia Wunderlich
  • Abgabedatum:  2011

Das Hornemann Institut verfügt ausschließlich über die hier angezeigten Informationen. Für weitere Informationen oder Kopien der Hochschularbeit wenden Sie sich bitte an den Autor/die Autorin - oder wenn kein Kontakt angegeben ist - an die Sekretariate der jeweiligen Fakultäten.