Teilnehmende der Postersektion der Tagung "Das Fragment im digitalen Zeitalter"

Zeit: 30. September - 2. Oktober 2020
Ort: HAWK, Aula, Hohnsen 2, 31134 Hildesheim


Dr. Emel Akay, Topkapı Palace Museum, Istanbul, Turkei
Computer-based reconstruction of potsherds: assessments for conservation

Böhm, Karsten; Meinhardt, Jeannine; Pfaffinger, M.
Fragmente des Renaissanceportals von Schloss Pretzsch und der Versuch der Rekonstruktion

Mirjana Jugović M.A., ART-LAB Conservation, Belgrad, Serbien
Problems of degradation fresco wall paintings on archaelogical sites

Hanna Kannengießer, Katharina Steinhüser, Historisches Archiv der Stadt Köln
Virtuelle Rekonstruktion der durch den Einsturz des Historischen Archivs der Stadt Köln teils sehr stark fragmentierten Archivalien im Projekt Digitale Rekonstruktion Kölner Fragmente (DRKF)

Antonella Malintoppi and students, Istituto Superiore per la Conservazione ed il Restauro Rom
…about a sculpture created in 1966 by an Italian artist, Guido Strazza

Sokol Muca, Grad Conservation Student, Istituto Superiore per la Conservazione ed il Restauro, Rom
Opportunities and risks of new conservation-restoration techniques
- Basic contributions on the opportunities and risks of the new techniques in conservation-restoration, with a critical evaluation of the latest developments and with suggestions on current guidelines for theory and practice.

Arianne Palla, Opificio delle Pietre Dure School of Higher Education, Florence; Anna Patera, Francesca Toso, Opificio delle Pietre Dure, Florence
Virtual and material.  An integrated approach for the reconstruction of a mosaic damaged by bombing during World War II

Jose Luis Regidor Ros, Clara Portilla Romero, Valencia, Spain
Pictorial reconstruction of palomino’s frescos in the Church of the Santos Juanes in Valencia

Bogna Skwara, Student of the Academy of Fine Arts in Warsaw
Virtual reconstruction; a new way of understanding?
Insight into how young people are perceiving an artwork in the digital era

Dr.ssa Alessia Strozzi (Conservator officer Soprintendenza Archeologia, Belle Arti e Paesaggio delle Marche, Laboratorio di Restauro), Pierluigi Mulas (Photographer)

Liselore Tissen M.A., PhD Candidate, Faculty of Humanities, Leiden University Centre for the Arts in Society, Delft University of Technology, Faculty of Mechanical, Maritime and Materials Engineering  
A rebirth of reproductions. 3D printing as a conservation strategy for paintings